“You know what I mean? Like, people ask me that question a lot. So, do you want to build a commercial studio? So, you’re working, right? You got to book out that room out for at least 20 days a month just to cancel everything out. And then, you’re booking yourself out as an engineer. Say you’re getting $500 a day for the room. So, what is that? $6000 a year with interest? So, now you’re up to $9 to $10,000 a month in overhead to run a commercial studio. So, you know, it depends on the term of your loan, but say you did a 10-year loan. So, you got to pay debt service on a $50,000 loan. And you’re in the scenario where you built it all. So, say your rent is something like, you got a really good deal at $3500 a month. You have a loan for the gear and the build-out and then, you’re paying rent. “And now that you have it built, you now have your monthly overhead to handle. You’re talking another… well you get the idea. You could spend another $15K to $20K, just getting it built, and then you now have to equip it. You’re going to need to hire an architect, and designs for basic production room at say, 700 square feet, could run you $10,000 designing a room.
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You’re also going to be improving that space per square foot to professional acoustical standards, at anywhere from $100 a square foot to $150 a square foot. So, if you’re going to be building a commercial studio in a popular city, you got to understand that you’re going to probably be paying $4 a square foot for an attractive location. So, you don’t want to over improve the space that’s there because you can’t take it with you. So, you’re going to be leasing it from somebody. How long are you going to stay there? Like a lot of business owners you’re probably not buying the building where you’re going to conduct your business. If you can get together $3500 to $5000, and if you’re handy, you can put together a very nice, very usable studio that has almost every component of what you’re going to need as a modern songwriter.Ĭonst t="undefined"!=typeof HTMLImageElement&"loading"in HTMLImageElement.prototype if(t)“With a professional studio, there are a lot of costs associated with it that are different than a home studio. I use it to plan out all of the demos and from there, and I can bring in 70% of what I’ll use on the final recording, and then I can replace all the live instrumentation and vocals when I get to a proper studio. I have a USB mic and a USB keyboard and Ableton Live loaded up with plugins. Like, my setup at home is tailored to what I need most from it: instant access to laying down ideas. As far as the gear, it really depends on the kind of music guy you are. Buy some simple acoustic soundproofing that you can put together yourself. Spend time and money on creating the atmosphere. So, if you’re a music producer in today’s landscape, chances are you’re going to be creating music using plugins a lot of the time, maybe integrating select pieces of hardware, tracking vocals, and doing some rough mixes at your studio. “For the majority of today’s music makers, you can get a very nice, very functional home studio together that can handle everything but big multi-mic recordings, which you don’t typically do even in the big studios. The point here is that you could do it for $300 or $3 million and still get the same results.” With that said, if you want to have a facility to bring an artist into and have them be creative and comfortable, having a world-class facility can be very expensive.
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There is nothing wrong with being able to produce great music or work on film and TV shows at home with a simple setup.
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That’s hard to do if your computer and interface can only handle 2 inputs at once.Ī pro studio can be put together with just an MBox and a laptop. My favorite way to record a band is to put them in the room and put microphones up in a way that works and have them play the song. If your artist has the talent, it’s your gig to capture that talent in a way that translates. The Doors? Probably a total of 8 microphones, all recorded live, at the same time, in the same room. I mean, let’s look at music that was recorded back in the day. It has a lot to do with the room in which you record and the experience of the engineer. Although not unheard of, a “real” studio is not just about the gear. Some limitations will be that, if you are working at home, it’s not as comfortable for clients to be in your bedroom or garage. This could be done for less than $500 and be well done. “A simple home studio can consist of a computer, an audio interface (to get your audio into the computer), and maybe a microphone, if you plan to record any live instruments or voice.
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